Friday, October 31, 2014

Kingdom Hearts 3 (SK94 Style) Prologue: The Dark Days



Kingdom Hearts 3: The Final Journey

Written By: SimbaKing94, Pebbles&CAMCAM, nd ShroomCutz

Characters and Situations are based off of the
"Kingdom Hearts" video game franchise, 
which is owned in it's entirety by Disney Interactive 
and Square Enix


Prologue: The Dark Days

Hearts have been disconnected.

A Light has been Extinguished,
A Master Powerless
A Hero is Lost in Darkness

Promises have been broken.

A Heart has joined it's other
An Important One is Forgotten
A Villain has been Reformed

But Heroes Will Rise.

A Princess Will Protect
A New Master Will Lead
And a Hero will Waken those who's hearts have called to his

And These Heroes Will Stand
Their Bond Never To Be Broken
As The Light Clashes With the Dark
Over the Ultimate Key

The War of The Worlds has begun




        The sun sets on yet another day at the Destiny Islands.  The ocean reflects the orange sky and shines with almost a mystical power.  Many on the Mainland simply close up their shops, go home, and enjoy the company of their families and friends after another wistful day of business.  But on the adjacent island, where children and teens sail towards to have fun and spend their days goofing off and having fun, there is a different mood.  
        Over time, the island had split in half in terms of it's mood and gravitance.  On one side, sat the free spirited minds of Tidus, Wakka, and Selphie, who gallantly wasted each and every day enjoying each other's company.  They would duel each other, swim in the ocean, have races, and even just kick back and relax on the beach.  More often than not, they gave the Island a sense of happiness it had been sorely lacking for quite some time.
        On the other side, three lone teens sat and leaned on a tall Paopu tree and simply looked out in to the ocean.  What seemed like a lifetime ago, these same had dreamed of seeing the world beyond their small little chain of islands.  But destiny had a funny way of rearing her face on the islands.  Now, after seeing many worlds, encountering many people, and fighting many dangers, the three only wish that they could spend the rest of their days together on these same islands, living normal lives like their friends.  But the lives of normality would never come for these three, because fate and an ambitious seeker of darkness had chosen them to play a part in a battle that would determine the fate of all worlds.  
        Most of these evenings, not one of these teens would talk.  They would just sit back and watch the sunset, as they had every single day of their childhoods.  What was there to say?  The day of their reckoning was coming, and they still needed time to hone in their skills with the mysterious weapons they all carried.  But time was never on their side.  And even the days that Sora, Riku, and Kairi could enjoy just sitting here were coming to an end.  Any hopes for a normal life would be cast into the very shadows these three would have to brave and battle through.  
        An entire universe rested on their shoulders.  Should they falter or fade, the darkness would sweep in and vanquish all.  Countless worlds and people relied on these three as though they were predestined to shield these worlds from the unknown.  Little did these three know, that this sunset would be the very last they were able to enjoy together for a very long time.  Perhaps, even forever.
        Riku was the appointed leader and guardian of Sora and Kairi.  Riku had once been a disciple of the darkness, even casting his own life and body aside to grow in the darkness.  Plucked away from the light by the witch Maleficent and her hordes of Heartless, he fought against his friends and eventually succumbed to his own unquenchable thirst for power.  The darkness crippled Riku, forcing him to exile himself from all worlds and battle to overtake the darkness in his heart.  But his own light began to shine through to his friends, who searched high and low for him.  Their light and the hearts of millions restored Riku to his original self, though he doubted his ability to wield the legendary Keyblade he had inherited from a mysterious young man as a child.  But he played his part well, even preventing his archenemy, Master Xehanort, from enacting his plan for World Domination.  His actions won him the Mark of Mastery, which he, alongside his good friend King Mickey Mouse, and a fallen mage named Aqua, now used to show off their prowess with these amazing weapons.  But Riku fears for his friends.  Even though Xehanort had been stopped, it was only temporarily.  Could he save them from hopelessness and despair should Xehanort strike?  Only time would tell him.  
        While Riku was the leader of the group, for the longest time Kairi was forced to the side to become a cheerleader.  Born with a heart filled with nothing but light, Kairi was cast out into the shadows by a man named Ansem, and ultimately befriended Sora and Riku.  But when their island was attacked by darkness, Kairi's body vanished, but her heart resided in Sora's.  She helped give Sora his light and shined him away from the darkness, but was restored when Sora freed her heart with a dark keyblade.  Kairi's deep feelings for Sora restored him and the two vowed to find Riku and restore their friendships.  After Ansem was defeated, Kairi and Sora were separated when the Destiny Islands were saved.  Kairi awaited her friends return, but overtime, they never did.  This drove Kairi to go out and search for them, which landed her in hot water when she was kidnapped by the evil Organization XIII, a group of darkness seekers.  Kairi, brandishing her newfound ability to wield a Keyblade, fought alongside Sora and Riku as they toppled the Nobody named Xemnas and saved the world from evil once more.  Now, with Master Xehanort restored, Kairi is being forced to learn how to wield her Keyblade and become strong enough to combat the likes of Xehanort and his evil cronies.  Though she is confident she is ready, the girl's budding feelings for Sora could make her an easy target for those who would want to destroy him.
        The heart of this Trio, however, was Sora.  Already donned the Hero of Light, Sora had joined forces with a mage named Donald and a knight named Goofy in order to defeat Maleficent, Ansem, and Xemnas and protect the worlds from darkness.  He had thwarted many plans of the likes of Xehanort and has truly blossomed into a Keyblade Warrior.  But Xehanort targets Sora as one of his new disciples of evil, so the boy must use all the power that light has to offer him and purge his worlds from the likes of this evil once and for all.  Sora was indeed the heart of the group, because he was not only beloved by both Riku and Kairi, but was already a hero almost every world they had encountered knew about.  He connected them all to each other.  And they, in turn, reached out and connected to him.  Sora was, in many ways, the heart of the entire universe.  
        And all of these traits for these three were about to be tested, as they enjoyed one last quiet evening before their worlds would be plunged into darkness...

        "I never thought I would be sad to leave this place again" Riku spoke softly, after no one had spoken in nearly an hour.  
        "After all that time we spent trying to leave this place, I really am almost too sad to want to go" Sora answered in agreement.  
        "Things are gonna change when we leave this place again" Kairi sighed.
        "I can't see how things will ever be the same" Riku said, his gaze focused on the setting sun on the horizon.  "I mean, not a single thing has been the same since we first set out to build that raft.  We've been coming and going so much, it's almost too much."
        "Aw, c'mon you guys" Sora chirped gleefully.  "You guys have to try and think positively.  You can't be such downers all the time.  The Islands are safe.  It's the other worlds that are calling.  And when all this is over, we'll come back here and enjoy each other's company forever."
         Kairi laughed.  "You always know how to brighten our spirits, Sora."
        "Forever?" Riku asked, faking nervousness.  "Uh-oh.  I don't know if I want to be with you guys, forever.  I'm too cool for you guys."
        "What's that supposed to mean?" Sora asked playfully.
        "Yeah, Riku!" Kairi followed Sora in suit.  "If you think your too cool for us, I'm sure Donald and Goofy would be happy to have you join them."
        "On second thought" Riku chuckled, "maybe I better keep you guys around."  As the three friends laughed, a portal of light began to shine next to them.  First Riku, then Sora, and finally Kairi all noticed the light and turned to face it.  The light shined with various different colors.
        From within the portal, a hoarse voice called to them.  "Sora.  Riku.  Kairi.  The time has come.  We must speak at once."  
        Sora looked to Riku, who nodded in agreement.  Without waiting a second, Sora took off into the portal.  Kairi followed him at almost the same speed.  Riku looked back at the island he once called home, and followed his friends inside.  

        In the dense chamber of the sorcerer Yen Sid, Sora, Riku, and Kairi all stood firmly, saluting the powerful wizard as he looked them down.  Once a Keyblade Master alongside the likes of both Xehanort and Master Eraqus, Yen Sid decided to pursue both knowledge and magic and doffed the mantle of Keyblade Master.  Now, Yen Sid served as the lone voice of both reason and rhyme for all of the few Keyblade Wielders of light.  His apprentice, a small mouse named Mickey, the King of Disney Castle, stood beside his former master in silence.
        "I have closely inspected the training you have been through" Yen Sid spoke to the group wisely.  "And I am proud to say that you three are beginning to show signs of true Keyblade mastery."  Sora looked up at the sorcerer cheerfully, but Yen Sid stared him down.  "However, Sora and Kairi are still quite a long ways away from becoming Keyblade Masters of their own."  Sora and Kairi looked down in disappointment.  
        Yen Sid cracked a smile.  "But it isn't as thought you two are completely without hope.  With time and experience, you two should fit the bill perfectly."  Kairi and Sora returned to standing alongside Riku, who took every word the Sorcerer said seriously.  
        "There really isn't much more I can teach them, Master" Riku answered respectfully.  
        "I know you haven't had the time to fully complete your own studies, Riku" Mickey called to his friend eagerly, "but we think we may have a solution to your problem."  Mickey turned to Yen Sid.  "Do ya want me to tell them?"
        Yen Sid shrugged.  "It is up to you."
        Mickey nodded and turned back towards the trio.  "Well, the good news is that while I've been surveying the worlds, it looks like Xehanort is laying low.  We may finally be able to bring some balance back to these worlds."
        Kairi frowned.  "But didn't Sora and Riku take care of all the Heartless?"
        Yen Sid shook his head.  "Unfortunately, Kairi, the Heartless are still sailing about in full force throughout the worlds.  So long as darkness remains in a single heart, the Heartless will never fully dissipate.  Alongside the Heartless, another old enemy is returning to the worlds.  These creatures once brought chaos to the many worlds, but we had thought they were stopped.  The Unversed are a new breed of enemy for you three.  They feed on the negativity and doubt.  In many cases, should Unversed appear, the Heartless should not be far off, or vice versa."
        Sora nodded eagerly.  "Don't worry.  We can handle this.  We've beaten these kinds of guys before.  And I'm sure the Unversed are something we can handle."
        Mickey nodded, but lowered his head.  "But we still have a few problems that I need you guys to look into."
        "Like what?"
        "Well" Mickey began, reaching into his pocket for something.  When his hand returned, he showed off a sphere of blue and white energy that shined throughout the room.  "This is the source of the data from all worlds.  We've used it in Jiminy's Journal to maintain the order and peace in as many worlds as possible."
        "What's wrong with that?" Riku asked.  
        "Well, I have a friend" Mickey explained, "that has been building an amusement park.  It pretty much shows off all of the worlds we've been to and studied.  But some of the rides have been acting weird.  Some even have gates to other worlds inside of them."
        "WHAT?" all three teens shouted simultaneously.  
        "New and uncharted worlds we've never seen, alongside some old ones I'm sure you'd like to see again.  But as soon as we got a hold of these worlds, not only have many of the worlds become infested with Heartless, but it looks like we weren't the first ones there."
        "Xehanort?" Kairi asked nervously.
        "Maleficent" Yen Sid interrupted.
         All three teens looked to each other.  They had all encountered the liked of Maleficent before.  Riku was once her pawn of darkness and Kairi her prisoner.  Sora had already squared off with and defeated Maleficent, but her dark power restored her and now the witch seeks to destroy him.  "Is she really a dangerous threat?" Sora asked both masters.
         "Perhaps not as prudent a threat as Xehanort" Yen Sid answered, "but do not underestimate the witch and her powers."
         "She and Pete have been trying to find ways to control these new worlds before we can get any data on them" Mickey explained.  "I've tried to send Donald and Goofy, but the gates to these worlds can only be accessed by Keyblade Wielders, like you."
        "So, you want us to take down Maleficent?" Sora asked.
        Mickey shook his head.  "If you face Maleficent, then I know your heart will tell you what to do.  I need you three to go into these new worlds and begin trying to figure these worlds out.  Prevent the Heartless from overtaking them, and stop Maleficent's plans no matter what the cost."
        "We're in" Riku answered for the group.  Kairi and Sora nodded in agreement.
        "I've already sent Lea off to a few new worlds" Mickey continued, "so if you guys run into him, let him know you guys are out on patrol too."  
        "Where is this place?" Kairi asked.  
        "Right outside our Castle" Mickey answered.  "You guys sure are gonna love it there.  And I'm sure Donald and Goofy are gonna be real happy to see you guys too!"  
        Yen Sid raised his hands.  "Before you go, I have something to tell you all.  Just because Xehanort is not currently active, that does not mean he will simply sit around while we restore the worlds to peace.  He may be sending his own underlings out to conquer these worlds and plunge countless hearts into darkness in order to draw you out.  Be on your guard at all times."
        Sora nodded.  "Together, we can overcome anything!"
        Yen Sid remained stone-faced.  "True, but you three are going to have to separate in order to keep coverage of all of the worlds.  There are many different and diverse worlds in Disneyland, so I ask you three to be vigilant and mindful of all dangers.  But do not lose hope.  For, as you have taught so many others Sora, no matter how far apart you can get, your hearts will bring you together again."
        "Do you really think Kairi should be by herself?" Riku asked, causing Kairi to give her friend a dirty look.
        "I think I should go with her" Sora announced.
        Kairi shook her head and took Sora's hand.  "Sora, I can handle myself.  I need to learn how to fight like you guys.  If you never give me that chance, how can I possibly get strong enough to fight Xehanort?"
       "You sure?"
       Kairi winked at her friend and let go of his hand.  "Positive."
       Riku nodded.  "I guess that answers that."
       Mickey pointed towards the door.  "You guys wait by the tower entrance.  I'll meet you all down there and take you to Disneyland."  The three students nodded, saluted Yen Sid one last time, and departed.  
        Yen Sid scowled.  "Xehanort's silence worries me, Mickey.  The last time he was silent about his ambitions and plans, we lost Terra, Ventus, Aqua, and Eraqus to his scheming.  And this time, we still have little true knowledge of his plans."
        "We don't have another choice, Master" Mickey answered his mentor's fears.  "We can't just wait around for Xehanort to strike again.  We almost lost Sora to him."
         Yen Sid nodded.  "Why he chooses to pursue Sora at all still worries me.  We have little to no knowledge of his plans, but should he try anything he has done in the past, I want someone to keep and eye on Sora at all times.  Should he follow the same path as Terra, I could not bear to forgive myself."
        Mickey laughed.  "Sora give into darkness?  You've gotta be kidding, Master.  Sora would never give into it."
        Yen Sid continued to keep his mood grim.  "Xehanort has power of darkness we still know nothing of.  He and Maleficent primed Terra for his fall.  Sora could be just as viable.  All I ask is that you keep an eye on Sora.  Pass this message onto Riku.  He can keep an eye out for his friend."
        "Sora's not as weak as you think" Mickey answered, leaving the chamber.  Yen Sid sat alone in silence.  Well, almost alone.  High above Yen Sid, perched in the window, was a black raven.  The raven, upon seeing Mickey depart, flew off into the darkness and vanished from sight.

        The halls of the Forbidden Mountain fortress shook and rocked violently when Maleficent unleashed her fury upon her misfit minions.  With the growing power of Xehanort, the Heartless continue to listen to her less in droves.  Now, the self proclaimed Mistress of All Evil only had a horde of impish goons at her beck and call.
        But today, the halls shook because an overweight buffoon bumbled his way towards his mistress's throne room.  Pete had followed Maleficent blindly ever since she had freed him from another dimension he was banished to by Queen Minnie.  Even now, as the Heartless slipped further away from her control, Pete still followed Maleficent, even if it meant the occasional humiliating task or degrading reports from his lady.  Now, Pete hurried to his mistress because she seemed to have something of the utmost importance to report to him.  As Pete tripped down the steps leading to the center of Maleficent's massive and dull throne room, the evil fairy addressed her minion.
        "It's about time you got here" she snarled.  "I was beginning to think you had abandoned your post."
        "Never, m'lady" Pete assured his mistress.  "I've still got me a debt to pay.  So long as I'm free and your kicking, I am at your service."
        "What do you have to report?  About the new worlds?"
        Pete chuckled wickedly.  "We already have Heartless all over those worlds.  It shouldn't be too long before those worlds fall in line.  Then, we can take over this one!"
        Maleficent nodded.  "And what of our allies?"
        "Thanks to our help in his invasion of that little green guy world, Zurg is more than willing to throw his loyalty to us.  And for that Horned King, he still wants proof we can get that there pot he's looking for."
        Maleficent looked aghast.  "That's it?  Those are all the allies we have left?"
        Pete nodded nervously.  "Well, a lot of our allies got flattened by that runt with the Keyblade.  Even if you brought them back, I doubt they would want to help you.  I'm pretty sure most of them remember how you went along with the plan to conquer Hollow Bastion without them."
        Maleficent scoffed at her lackey.  "Those wretched fools?  I have no more use for the likes of them.  No, their greed only goes as far as their quests for domination in their own worlds.  I didn't even bother sending you after Hook or Hades this time.  Their incompetence is their own problem."
        "But we're still scouting out other options.  There's this one world I really think you should look at.  It's said they got themselves a powerful sorceress, who--"
         "There are more pressing matters to deal with" Maleficent warned her lackey.  "I have recieved word that your old friend, King Mickey, is sending out the Keyblade brats to pester us once more."
        "Not them again!" Pete groaned.  "Their gonna ruin all of our plans, like they do all the time."
        Maleficent sneered.  "You underestimate the power of a well planned scheme, Pete.  It seems that old fool Yen Sid fears that Sora will be a target of Xehanort.  Do you have any idea why?"
        "Beats me" Pete answered cluelessly.  "He's just a runt with a powerful Keyblade."
        "I do not know exactly what Xehanort is scheming, but for him to target Sora, it must be something worthwhile.  I will be keeping a close eye on Sora's progress through these worlds.  Sora is still and invaluable member of Mickey's little band of light.  Perhaps, he is worth the acquisition of a certain "Data" that we've been looking for."
        "I read ya loud and clear, Maleficent!" Pete proclaimed.  "But what about the other losers?"
        Maleficent turned away from Pete, hiding a truly evil smile.  "They shall be the fire that feeds Sora's anger.  The more rage and darkness he feels, the more useful he is to us.  Should he not prove of any worth, I shall exterminate the pest once and for all!"  

Thursday, October 30, 2014

Kingdom Hearts 3: Table of Contents (Team SK94 Version!!!)



As me and my partners here at SimbaKing94/ NintendoMan64 productions continue our rewriting and tweaking of our Kingdom Hearts 3 fanfiction, we are excited to announce that we at least have for you guys a Table of Contents!!!

As with Birth By Sleep, the stories are split into three separate but ultimately conjoining stories.  These chronicles will follow the struggles that our three beloved heroes: Sora, Riku, and Kairi, must undergo as they fight to protect the worlds from the ambitions of Master Xehanort and Maleficent, as they plot to conquer the universe through their own schemes.

In their journey's, they will travel to different worlds, meet different people, and battle different villains and obstacles as they seek to find out answers to the many riddles that haunt their dreams: How can they defeat Xehanort?  Who are those people in need of being awoken?  And what was the truth behind the ancient Keyblade War?

The journey ultimately brings about an end to the thrilling and beloved series of video games as the final clash with Xehanort could perhaps bring about the end of all worlds, or the ties that bind them together?  Can Sora rescue the world one final time, while dodging the every wicked plots of his enemies?  Can Riku keep his friends safe from the dark storm that awaits them?  And can Kairi keep up with her two closest friends as she struggles to learn for herself how to wield a Keyblade?  Read on and discover for yourselves...

Table of Contents:

Prologue: The Dark Days

RIKU


Chapter 1: Worlds Beyond the Stars
Chapter 2: Star Command
Chapter 3: The Uni-Mind
Chapter 4: Partners
Chapter 5: Down the Rabbit Hole
Chapter 6: Wrath from the Shadows
Chapter 7: The Jabberwocky
Chapter 8: Mysterious Jungle
Chapter 9: The Bare Necessities
Chapter 10: Vanitas
Chapter 11: The King of Mardi Gras
Chapter 12: Wishing and Working
Chapter 13: The Heartless Ball
Chapter 14: Olympus Under Siege
Chapter 15: Lightning
Chapter 16: Revenge of the Shadows
Chapter 17: Battle in the Badlands
Chapter 18: Tortuga
Chapter 19: The Isle Cruces
Chapter 20: The Flying Dutchman
Chapter 21: Merlin's Assistant
Chapter 22: Gurgi
Chapter 23: The Marshes of Morva
Chapter 24: The Black Cauldron
Chapter 25: The Bargain of a Hero
Chapter 26: Shadows in the Sand
Chapter 27: Old Friends, Bitter Enemies
Chapter 28: The Battle For Disneyland
Chapter 29: Terra, Ventus, & Aqua
Chapter 30: Masters Reunited
Chapter 31: The Fourteenth
Chapter 32: Maleficent's Ambtion
Chapter 33: Consequences
Chapter 34: Kion, the Son of Simba
Chapter 35: Bitter Hate
Chapter 36: The Lion King
Chapter 37: The Chamber of Waking
Chapter 38: Riku's Great Mistake
Chapter 39: The Awakening
Chapter 40: The Master Returns
Chapter 41: Castle Oblivion
Chapter 42: The Plan
Chapter 43: Riku's Destiny
Chapter 44: The Keys of Darkness
Chapter 45: The Demon's Call
Chapter 46: The Ultimate Key
Chapter 47: Gone With the Wind...
Chapter 48: The Last Act 



SORA

Chapter 1: The Land of Fantasy
Chapter 2: The Kingdom of Ice
Chapter 3: A Heart of Ice and Fear
Chapter 4: An Act of True Love
Chapter 5: The Beast's Decision
Chapter 6: Gaston
Chapter 7: Tragedy/ Transformation
Chapter 8: A Bear, a Panther, and a Man-Cub
Chapter 9: Kidnapped by Monkey's/ Shere Khan
Chapter 10: The Red Flower/ The Man Village
Chapter 11: Let Down Your Hair...
Chapter 12: Seeing the Light
Chapter 13: The Lost Princess
Chapter 14: Hero Under Siege
Chapter 15: The Fight For Olympus
Chapter 16: A Star is Born
Chapter 17: Xehanort's Test
Chapter 18: Sparrow's Plan
Chapter 19: The Heart of Davy Jones
Chapter 20: The Pirate's Life
Chapter 21: Peril Across the Stars
Chapter 22: Bitter Reunions
Chapter 23: Team Lightyear
Chapter 24: The Party in Agrabah
Chapter 25: Father and Son
Chapter 26: The Hand of Midas
Chapter 27: The Ultimate Return of Jafar
Chapter 28: The Fury of the Keybearer
Chapter 29: Destiny's Union
Chapter 30: Rescuing Aqua
Chapter 31: Sora and Kairi's Rescue Mission
Chapter 32: Aurora's Explanation
Chapter 33: A Sour Relation
Chapter 34: Wreck it Ralph
Chapter 35: Glitches
Chapter 36: Race to the Finish!
Chapter 37: A Cloudy Reunion
Chapter 38: Clash in the Castle
Chapter 39: A Helping Hand
Chapter 40: The Hero of Light
Chapter 41: Sora and Aqua
Chapter 42: Ventus
Chapter 43: The Cavalry Has Arrived
Chapter 44: The Keyblade Graveyard
Chapter 45: The Battle of Our Lives
Chapter 46: The Student's Revenge
Chapter 47: Triumph and Tragedy
Chapter 48: The Calming 


KAIRI

Chapter 1: Kairi's Journey
Chapter 2: Snow White and the Seven Dwarfs
Chapter 3: Dopey's Wild Mine
Chapter 4: The Phantom Queen
Chapter 5: The Wonders of Wonderland
Chapter 6: Alice on Trial
Chapter 7: Escape from Wonderland
Chapter 8: A Little Magic
Chapter 9: Taming Lucifer
Chapter 10: Proving Yourself
Chapter 11: Rapunzel
Chapter 12: The Kingdom of Lights
Chapter 13: Gothel's Retribution
Chapter 14: Rise of the Titans
Chapter 15: Mount Olympus
Chapter 16: A God's Honor
Chapter 17: Lea to the Rescue
Chapter 18: Messing With Voodoo
Chapter 19: Mama Odie
Chapter 20: Need and Want
Chapter 21: Summertime in Arendelle
Chapter 22: Dark Desires
Chapter 23: The Meaning of True Love
Chapter 24: The Wedding of the Century
Chapter 25: Arabian Nightmares
Chapter 26: The Vanishing Isle
Chapter 27: The Plot Deepens
Chapter 28: Protecting Disneyland
Chapter 29: The Wayfinders
Chapter 30: Princess Peril
Chapter 31: Aurora's Fate
Chapter 32: The Trap
Chapter 33: Dissolution 
Chapter 34: Jamestown
Chapter 35: Peace and War
Chapter 36: The Ambitions of the Wicked
Chapter 37: Aqua to the Rescue
Chapter 38: The Search Begins
Chapter 39: Rescuing Riku
Chapter 40: Masters of the Keyblade
Chapter 41: Kairi and Namine
Chapter 42: A Fight For My Friends
Chapter 43: The Deep Breath
Chapter 44: The Keyblade War
Chapter 45: The Final Trials
Chapter 46: Xehanort's Purpose
Chapter 47: Tragedy
Chapter 48: Mr. Disney's Revelation


FINAL EPISODE!!!!

1. Champions to the Rescue
2. The Mirror
3. Closing a Door



Stay Tuned For More From SimbaKing94 Film Reviews and NintendoMan64 on YouTube

Thanks Guys,

Team SK94 (SimbaKing94, Pebbles&CAMCAM, ShroomCutz)










Which Disney Renaissance Film is the BEST? part 8: The Special Effects

Photobucket

It should come as a surprise to no one that the greatest era in Walt Disney's Feature Animation department is arguably the most beloved era of a single company's film making in motion picture history.  After all, not only was Disney at the height of their creative development, but the studio continued to release hit after hit, without any glaring failures in anyone's eyes.  To many who are reaching adulthood today,. these films are what we grew up on.  My first film watching experiences were at least five of the top movies pictured above.  These films have had a profound impact on how we act, how we think, and how we tell our life stories.  

But which of these high ranking movies is the most superior?  How can one masterpiece be better than another?  That is what I will be focusing on for the next several posts.  Which film was the most structurally sound, which was the most superior in one area, and ultimately, which was the best.  Feel free to argue for one of your movies on this list or if you think my list is incorrect, but please understand that this is all opinion based, so it doesn't make someone stupid if they agree or not.  

Here is how the list will be determined.  All 10 films of the Disney Renaissance will be judged on the following categories:

Hero
Heroine
Villain
Supporting Cast
Songs (The Rescuers Down Under gets a pass here)
Musical Score
Animation
Story
Special Effects
Theme/ Message

Each film will be scored on a 1-10 scale.  The higher points you score for a category, the greater the chance is that film is ranked the best.  But please note that just because a film could get two or three 10's in a row, doesn't mean that it is guaranteed a victory.  Keep a close eye on the consistent films.


At the end of the competition, the films will have their scores divided by 10 (nine for Rescuers Down Under), and a winner will be determined when the math is completed.  The winner will receive the next King's Analysis and a special surprise for it on my YouTube channel, NintendoMan64.

This Round: Best Special Effects 

In animation, one particular element that is often ignored is the Special Effects.  After all, when you could create the scope and majesty of a film like The Lion King, why do you need more extra budgeted animators to create over the top scenes.  Well, the special effects in animation are significantly different from special effects in movies.  In animation, special effects are needed for weather, camera pans, fire, stampeding wildebeests, crowds of people, and various other things that in the older days of animation, were done entirely by hand.  In other words, the more handmade effects, the better score you get, or the more unique and original the special effect, the better the score will be.  I think you all know what's number one, but let's go anyway...

10. Hercules 

Look, I'm sorry, Hades.  I don't blame you for the ineptness of your movie's special effects.  I blame the likes of Disney becoming way too reliant on computers to convey animation techniques that just a few years prior were completely hand drawn.  There are several moments where the special effects for Hercules are odd and poorly constructed, but by far the most gruesome (at least for my standards) is the big Hydra battle in the middle of the movie.  When Disney used CGI to construct characters (The Magic Carpet of the Cave of Wonders from Aladdin), they either blended in with the rest of the colors and lighting so well that we ignored the fact that it was animated using a computer, or the character didn't dominate the entire scene.  In fact, a number of times when the Cave talks, we cut down to a character's reactions.  But the Hydra fight was one of the centerpieces in the movie, and the Hydra's CGI design really contrasts with the 2D Hercules.  Maybe it isn't too bad, but it's enough to shut the door on this film's shots at being number one...or is it?

+1 point

9. Mulan


Mulan is not being demonized for weak special effects.  Quite the contrary, Mulan has some of the finer SFX in all of the Renaissance movies.  But the movie's biggest fault is it's lack of original special effects.  None of the big camera movements were that groundbreaking and the whole "turning one into a thousand" thing had been done twice already (see numbers 5 and 3).  Does the Hun army look more realistic than the lifeless puppet crowds that adorned Paris in The Hunchback of Notre Dame?  Yes, but the rest of the movie's effects are unfortunately subpar when compared to the rest.  I guess sometimes, Disney just can't be too unique with their ideas for big action scenes.

+2 points

8. Pocahontas

While listening to the Audio Commentary for The Hunchback of Notre Dame, I heard Gary Trousdale say that many of the effects for Huncback were done at last minute or by hand because the CGI was being used for Pocahontas.  Um...where?  The special effects in Pocahontas are almost downplayed.  Unlike it's predecessors, the film lacks a major scene for the special effects to shine on the limelight.  There aren't many special effects scenes, and when their are, there aren't any original scenes (a storm sequence sounds pretty darn familiar, eh?).  But I'm gonna give this film the benefit of the doubt over Mulan, because the animation is just SO DAMN GOOD!  Let's just say that the effects blend in with the animation...Is that being too nice?

+3 points 

7. The Rescuers Down Under


There are quite a few reasons as to why so few people remember this gem of a film.  Much like Pocahontas, the special effects are very downplayed throughout the movie.  The scenes show off more of the quality of the animation than the efforts of the special effects department, who were hard at work on the major Fairy Tales coming out around the same time.  But from what we got, I am pretty impressed.  The big blustery blizzard in New York stood out to me for a few reasons.  Firstly, because I'm from New York and I've seen the hellish winters we've had to endure here.  Second, Disney rarely covered stuff like snow at that time, especially falling snow.  When Disney takes the time to understand just how to make the most simple things (snow storms, rain drops, sunny days) so good, how can you fault them?

+4 points

6. Beauty and the Beast


Unfortunately for one of the greatest motion pictures ever made, the remaining five films simply had better effects.  But in the film's defense, Beauty and the Beast also came out in a time when both the primary animation art form was being transitioned into the computer age, but also when special effects dominated movies.  1991 was the year for special effects, with Judgement Day obviously taking home the biggest slice of pie.  This motion picture represents a perfect crossroads for animation, utilizing both computers and hand drawn styles to tell a simple love story and embellish it for a new age.  It may not be a crime to have poor special effects, when compared to other films of the time...

+5 points 

5. The Hunchback of Notre Dame


In terms of the era where Disney Animation was transitioning towards overusing CGI, The Hunchback of Notre Dame represents a last effort for a film to challenge the very way we look at special effects in animated films.  Outside of reusing the special effects already used in The Lion King, almost every single weather and other anomaly effect seen in this film is a cut above everything that had been attempted in many of the previous films.  The snowflakes in this film's stunning intro are all given such intricate detail that it flat out astounds me that the designs weren't created in the computer.  The massive fires in several scenes and the incredible "sanctuary!" scene more than set this film's bar almost unreachable.  Disney wanted something big to come of this film, and by god did we get just that...

+6 points 

4. Tarzan


In order to allow Tarzan to fly through the dense jungle and surf down the enormous trees that call Africa home, the Disney Animators needed to rely on a computer program called, Deep Canvas, which allowed the animators to create realistic looking jungles and create an intense amount of depth in every scene the ape man was needed.  And unlike other films of the time, Tarzan's special effects and animation move with almost effortless ease, conveying a truly action packed universe.  I am still honestly impressed that Disney didn't just rehash the animation used in another film to generate the same kind of feelings for this film.  Impressive...most impressive...

+7 points 

3. The Lion King

In an effort to make The Lion King stand out more in comparison to the three Fairy Tales that had preceded it, Disney Animators and Storytellers knew that they would need to pull out all the stops in order to give us the epic sights and sounds of a continent that back in 1994, we knew little about.  Disney turned to the CGI department to turn a simple little storyboard idea (which actually took 2 1/2 years to completely storyboard) into a massive scene of intensity that almost certainly forces one to have to see this film in theaters.  The wildebeest stampede is one of the most ingenious moments in Disney History and continually stands out as a cut above the rest of the department's work at the time.  Along with the great work here, special effects were also used for many other epic scenes, such as the finale to "Be Prepared", the final battle, and Mufasa's Ghost scene, all of which make The Lion King one of the most famous motion pictures of all time.  Period.

2. Aladdin

As I've stated on several occasions in several different articles, in the early 1990's, the animators all pushed themselves to create a film that could be much better and far more artistic than the previous one.  In the case of Aladdin, the animators succeeded in creating a gripping, action packed environment that kept audiences on the edges of their seats in 1992.  Almost every single CGI element in the film blends with the 2D animated characters so well that one could easily assume that the Magic Carpet was hand drawn.  Whereas Beauty and the Beast focused more on telling a story with the help of special effects, in Aladdin, the effects and the story go hand in hand on many occasions, such as the intense escape from the Cave of Wonders and the epic showdown between Aladdin and Jafar, each coexisting almost too well to be true.  Aladdin truly is the king of CGI/2D blending...

+9 points 

1. The Little Mermaid

But once again, the fully hand drawn outwits the CGI aided 90's films.  There is just some kind of element about The Little Mermaid which instantly makes me think of Disney's most technically perfect motion picture, Pinocchio.  In fact, many of the epic ocean scenes were drawn both from influential designs from Kay Nielsen and from the masterful oceanic escape from Monstro in the film's climax.  Disney went all in on their first Fairy Tale in almost 30 years, giving
The Little Mermaid a sense of belonging in the Disney Canon.  The sheer fact that all of the effects in this movie (minus King Triton's rainbow at the finale), in an age where animation was almost being removed from theaters and television altogether for Disney, is mindboggling.  This is what happens when animators, executives, musicians, and many others placed their trust and faith in one another to create a visually stunning film, and The Little Mermaid gives us precisely what we asked for...

+10 points 

Current Standings

1. Aladdin                                                   68 pts 
2. The Little Mermaid                                61 pts 
3. The Lion King                                        61 pts 
4. Beauty and the Beast                             60 pts 
5. The Hunchback of Notre Dame            49 pts
6. Pocahontas                                             32 pts
7. Tarzan                                                     31 pts
*8. The Rescuers Down Under                  27 pts
9. Mulan                                                     26 pts
10. Hercules                                               25 pts

Next Round, we tackle the greasy underbelly of the Disney Renaissance: the Stories.  All I'm gonna say, is I hope that Pocahontas enjoyed it's nice little run here...





Friday, October 10, 2014

Which Disney Renaissance Film is the BEST? part 7: The Animation

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It should come as a surprise to no one that the greatest era in Walt Disney's Feature Animation department is arguably the most beloved era of a single company's film making in motion picture history.  After all, not only was Disney at the height of their creative development, but the studio continued to release hit after hit, without any glaring failures in anyone's eyes.  To many who are reaching adulthood today,. these films are what we grew up on.  My first film watching experiences were at least five of the top movies pictured above.  These films have had a profound impact on how we act, how we think, and how we tell our life stories.  

But which of these high ranking movies is the most superior?  How can one masterpiece be better than another?  That is what I will be focusing on for the next several posts.  Which film was the most structurally sound, which was the most superior in one area, and ultimately, which was the best.  Feel free to argue for one of your movies on this list or if you think my list is incorrect, but please understand that this is all opinion based, so it doesn't make someone stupid if they agree or not.  

Here is how the list will be determined.  All 10 films of the Disney Renaissance will be judged on the following categories:

Hero
Heroine
Villain
Supporting Cast
Songs (The Rescuers Down Under gets a pass here)
Musical Score
Animation
Story
Special Effects
Theme/ Message

Each film will be scored on a 1-10 scale.  The higher points you score for a category, the greater the chance is that film is ranked the best.  But please note that just because a film could get two or three 10's in a row, doesn't mean that it is guaranteed a victory.  Keep a close eye on the consistent films.


At the end of the competition, the films will have their scores divided by 10 (nine for Rescuers Down Under), and a winner will be determined when the math is completed.  The winner will receive the next King's Analysis and a special surprise for it on my YouTube channel, NintendoMan64.

This Round: Best Animation

This was and will most certainly be the most difficult round throughout the tournament, because most of the films, if not all of the films in this era have top notch animation.  After all, the top tier animators and leaders of the animation divisions in most film companies today all got their roots from Disney in this time.  But only a few of these films took the fullest advantage of both the cultural ideas and literary excellence of their respective stories, and it's going to be those Disney Films that become the elite films we all know and love.

10. Hercules 

Yet another dissapointing aspect of the inspiration and creation of Hercules was it's very confusing palette of artistic choices and overall color tone that the animators chose for this movie.  Not to mention that the CGI looks positively horrible when compared to the rest of the era's films (does that hydra look like it remotely fits in with the rest of the 2D characters?).  I heard that the artists looked to Gerald Scarfe and his work that he accomplished with Pink Floyd's The Wall, which is similar to what they attempted to do with the Al Hirschfeld designs with Aladdin.  But in Aladdin, it worked because the colors were wonderful, the lighting was fantastic and the overall tone of the movie leaned more towards that cartoony vibe, while still maintaining it's Disney Origins.  Hercules attempts to be way too many movies in one, one that can be artsy, loaded with pop cultural references, superhero movie, and attempt to remain loyal to the Greek Mythology (as minimally as they did), but the creators forgot that they work for Disney, and that their films need to touch people on both an emotional level and an artistic level.  While confusing to the MAX, the film succeeds in giving us an artsy film, but the last thing the Disney Renaissance needed was an artsy film...

+1 point

9. Mulan 


My mom is going to kill me for ranking both of her favorite Disney Films so low, but I have to when Disney yet again took no advantage of the cultural environment the story took place in.  To me, the animators just sat around in a room and asked what was Chinese and how they could stick it in the movie?  We all know the Great Wall of China, so the movie HAS to start there.  We also know about the Forbidden City and that the Chinese really love the color red.  So, rather than take the time to study the environment and the society, Disney chose the (in Honest John's perspective) "easy road to success".  After taking the time to make these long trips to Australia, the Loire Valley in France, and a Kenyan wildlife preserve, you would think taking a trip to the now semi-communist China would have been easy in 1996, but no.  Disney chose to take the American's perspective of China rather than take the Chinese perspective.  Tsk, tsk tsk...

+2 points

8. The Hunchback of Notre Dame


The Hunchback of Notre Dame is filled with many (and I mean MANY) artistic marvels, but it is also filled with many hiccups in terms of the animation.  I know the technology wasn't too good in terms of CGI yet, but when you study the film closely for the artistic highlights, you find many wooden and reused models for the massive crowds of Paris.  And while I do really understand the difficulty animators undergo to animate 3D models, the models for The Lion King were just SO good.  How can a Wildebeest be easier to animate than a human?  And yet, the good elements, such as the introduction scene, the Hellfire sequence, and the final battle at the cathedral were so epic that they deserve recognition as well.  Unfortunately, the oddities are just too odd for me to gloss over.  Hopefully my mood changes with regards to this film's animation effects in the next round.

+3 points

7. Tarzan



I am actually impressed that Disney hardly utilized any of the animation they had used for The Lion King and rehashed it in this one.  No, Disney saw the need to differ between these two pictures, because both take place in two completely different parts of Africa.  Tarzan takes place in the Congo or the Jungle part, while The Lion King takes place in the Serengeti and the mighty plains of Eastern Africa.  Something I really liked was the decisions the artists made for the styles and colors of the animals.  I thought I would have something to complain about with the red elephants, but it is in good contrast to the dark colored gorillas and the rest of the jungle animals (aside from Sabor of course).  I am a little unsure with regards to the animation of the human characters.  I thought it was a little too jagged for my taste, but I understand it was probably an artistic decision to have these jagged humans in comparison to the softer colored and designed animals.  Disney ended the Renaissance with a bang artistically, there can be no denying that.

+4 points 

6. The Rescuers Down Under 


Without the aid of much of a musical accompaniment, Disney Animators knew they would have to create a visually stunning film out of The Rescuers Down Under if it was going to possibly succeed in this new era.  And to an extent, they succeeded.  There are some really jaw dropping elements of the animation, which is really lightyears superior to the original movie.  But outside of the breathtaking flying scene between Cody and Marahute, even the animation in this movie seems downplayed, especially when compared to other films in the era.  I guess Down Under was doomed from the start, and yet it still manages to give us some impressive views of the Australian Outback and other such areas.  But in all fairness, the Marahute scene was what pushed this past Tarzan.

+5 points

5. Beauty and the Beast 


As with most of the rounds on this list, the sacrificial lamb was needed to be discovered.  And, despite having some of the best draftsmen, artists, animators, and storymen on board, Beauty and the Beast cannot avoid another lukewarm finish in a consecutive round.  The animation in this film is still stellar and really gives us the feeling that we are watching a Broadway show with all the great decisions with regards to staging and lighting that the artist chose.  There are also some very interesting artistic decisions that the creators made, such as having the lightning in the fight between Gaston and the Beast be green, or just the spectacular scene of the Beast's transformation.  The single best element of the story is the introduction scene, the intro being told through stained glass window, which really brought us into the kind of traditional Disney film we would be witnessing.

+6 points

4. Pocahontas 


After years of wondering why Jeffery Katzenberg thought Pocahontas was a Best Picture worthy piece, I think I may have finally found the reason.  As much as the film completely ruins the geography of Virginia, this film takes complete advantage of all of the epic moments the animators and storymen developed for this world.  This film received a $10 million dollar budget increase when compared to The Lion King, and the artists took full advantage of the additional funds.  The colors in this movie are just wonderful, as well as the lighting.  We could see that the animators had matured since the days of The Great Mouse Detective and Oliver and Company, and they incorporated every lesson they learned along their journey from 1985-1995, and all of the missteps and flaws they found were attempted to be washed away by the magical animation of this picture.  Kudos to directors Mike Gabriel and Eric Goldberg, who both understand what epic animation requires.

+7 points

3. Aladdin 


The decision to animate the characters of Aladdin in the style of New York City artist Al Hirschfeld's loose and free style was the decision of the first major animator on the film, Eric Goldberg.  An avid Hirschfeld fan, Goldberg utilized as much as he could of the designs in his animation of the Genie, but the tone was set for the majority of the characters (Jafar seems to be the only character left out).  But the brilliance in animation goes beyond just the idea of bringing in designs.  Aladdin was Disney's first attempt at a sort of "Epic Fairy Tale", which has only continued with Frozen, but this film was the first to incorporate a stellar color scheme with a great usage of lighting and various stage-esque effects, utilizing each minor animation technique so well that it cannot be ignored.  Aladdin really did stand as a cut above the rest in terms of the Early 90's Renaissance films.

+8 points 

2. The Lion King



Disney clearly needed to make sure each film was in stark contrast to the previous, not just in terms of story and setting, but animation style.  Beauty and the Beast utilized a simple color palette and more of a mature style to it's designs.  Aladdin was more loose and playful, using a great color scheme and the great genius of Hirschfeld.  It was also clear that The Lion King needed to stand out as a different kind of film.  It wasn't a story about a magic spell or a magic lamp.  The main emotional connection was not between a boy and a girl, but a father and a son.  That is why the artistic brilliance of The Lion King's animation team decided to take a more epic scale in terms of it's animations.  The animators took the time to animate many effects such as lens flares and realistic looking weather and animals that would allow us all to feel that we have been transported somewhere different than the average Disney movie.  We get to witness the epic scale that Africa has to offer, and yet the artists still managed to add onto the size and epic scale that we had already seen.  Like in Bambi, everything looks more real than animated, and one could see themselves making a trip to Africa just because of this.

+9 points 

1. The Little Mermaid


I don't think people give this film the kind of credit it deserves in terms of it's animation.  Please note that every animated film in the Renaissance from The Rescuers Down Under on utilized the CAPS system, which allowed the animators to paint the characters and digitally assemble each shot and blend the characters with the backgrounds.  The Little Mermaid was animated in the same tradition films like Snow White, Cinderella and Sleeping Beauty were: with pencils, paper, ink and paint, and every single moment of animation in the film was put together painstakingly by hand.  They didn't use CGI to animate camera pans like in The Lion King or Aladdin.  Everything was utilized with techniques Walt Disney would recognize, including his own personal invention of the Multiplane Camera system, which gave us such shots as the first glimpses of King Triton's Castle and the finale shot.  Every single bubble was animated by hand (though outsourced to China and South Korea).  This film really was the end of an era.  No Disney Animated film would ever be assembled in the ways that had made Walt Disney famous ever again.  Every scene in this film is marvelous, the colors match the tone of each scene just perfectly, and the overall beauty of The Little Mermaid's animation cannot and has not been matched by any 3D film yet, though Frozen definitely came close.  I guess Disney saves their best animation for Hans Christian Andersen fairy tales.

+10 points 

Current Standings:

1. Aladdin                                                     59 pts
2. Beauty and the Beast                               55 pts
3. The Lion King                                          53 pts
4. The Little Mermaid                                  51 pts
5. The Hunchback of Notre Dame              43 pts
6. Pocahontas                                               29 pts
7. Tarzan                                                       24 pts
8. Mulan                                                        24 pts
9. Hercules                                                    24 pts
*10. The Rescuers Down Under                  23 pts

Next round may have another big shake in the standings.  One film has an extreme advantage over the rest in this next genre, but can it ride that advantage to a Top 3 spot?  Find out when we tackle the Best Special Effects...



Wednesday, October 8, 2014

Which Disney Renaissance Film is the BEST? part 6: The Musical Scores

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It should come as a surprise to no one that the greatest era in Walt Disney's Feature Animation department is arguably the most beloved era of a single company's film making in motion picture history.  After all, not only was Disney at the height of their creative development, but the studio continued to release hit after hit, without any glaring failures in anyone's eyes.  To many who are reaching adulthood today,. these films are what we grew up on.  My first film watching experiences were at least five of the top movies pictured above.  These films have had a profound impact on how we act, how we think, and how we tell our life stories.  

But which of these high ranking movies is the most superior?  How can one masterpiece be better than another?  That is what I will be focusing on for the next several posts.  Which film was the most structurally sound, which was the most superior in one area, and ultimately, which was the best.  Feel free to argue for one of your movies on this list or if you think my list is incorrect, but please understand that this is all opinion based, so it doesn't make someone stupid if they agree or not.  

Here is how the list will be determined.  All 10 films of the Disney Renaissance will be judged on the following categories:

Hero
Heroine
Villain
Supporting Cast
Songs (The Rescuers Down Under gets a pass here)
Musical Score
Animation
Story
Special Effects
Theme/ Message

Each film will be scored on a 1-10 scale.  The higher points you score for a category, the greater the chance is that film is ranked the best.  But please note that just because a film could get two or three 10's in a row, doesn't mean that it is guaranteed a victory.  Keep a close eye on the consistent films.


At the end of the competition, the films will have their scores divided by 10 (nine for Rescuers Down Under), and a winner will be determined when the math is completed.  The winner will receive the next King's Analysis and a special surprise for it on my YouTube channel, NintendoMan64.

This Round: The Musical Scores

The Disney Renaissance proved that a film needed more than just a solid list of songs to move the film forward.  The films also needed deep and interesting musical scores.  Combining the elements of cultural instruments, soft ballads, dramatic action scenes, and sorrowful tearjerking moments, a score is a lot more important than we'd think.  In an era where Alan Menken wrote the scores for more than half of the following films, it seems likely that he'll win the top spot, right?  Right?  Well...

10. Hercules (Alan Menken)

The musical score of Hercules never got it's stand alone moment, that the other films of this era got.  For instance, there isn't really a good scene that is moved almost entirely by the dramatic musical score (like the wildebeest stampede in The Lion King, or the storm sequence in The Little Mermaid).  The film was mostly driven by it's long list of songs, which is good, but it doesn't give the film any real credit here.  And it's a shame, because Hercules was the one film exceeding my expectations going into this part of the list.  I would have thought this film would have been left in the dust by now.  I guess it will get it's shot now...

+1 point 

9. The Rescuers Down Under (Bruce Broughton)

Unlike the other films on this list, The Rescuers Down Under did not have the luxury of an Alan Menken musical score, forcing the film to rely musically on it's instrumental score to carry the film.  And unfortunately, outside of the magnificent scene with Cody flying on Marahute's back, the film does not take advantage of it's score and instead used the animation to guide the story, which propelled the film into mediocrity in the eyes of many Disney fans over the years.  If a film has no songs, and a lackadaisical film score, what does the film really have to offer musically?  

+2 points 

8. Tarzan (Phil Collins & Mark Mancina)

  Tarzan is the first film in this list that has a musical score that does not commit any major crimes, but still is forced to fade to the back of the list because of the epic scores that await us in the front of the group.  In his first film score opportunity after his brilliant work on the Rhythm of the Pridelands CD, Mark Mancina does some really good work with the film, not following strictly in Hans Zimmer's footsteps and completely replicating The Lion King's score, but using separate kinds of African instruments.  The film does not require the Zulu choirs of it's predecessor, because Tarzan really wasn't set in that part of Africa.  It would have been a rip off had they simply rehashed the scores, but Mancina does an honest attempt to make the film different from all others.  Good for them, but not good enough to warrant a higher spot on the countdown.

+ 3 points

7. Mulan (Jerry Goldsmith)

Many films of this era utilized film scores with elements of the civilization that their film falls in line with, such as with the Zulu Choirs for The Lion King and the Latin Choirs for The Hunchback of Notre Dame, but for the most part, the songs stuck with the film they were addressing.  The score is the only element of Chinese culture that Mulan gets right.  Jerry Goldsmith takes advantage of the culture when writing his musical highlights, but the single greatest part of Mulan's score is the scene where Mulan decides to take her father's place in the army.  The film's score is fairly genuine, lacking the insincere moments that Down Under had or the lack of quality score from Hercules.  Mulan had to be bigger than Hercules, and in the terms of the score, it is...

+4 points 

6. Pocahontas (Alan Menken)

No one denies that the animators at Disney were trying to make Pocahontas into something special. The film's score, which was the last time a Disney Canon film would win the Oscar, is no exception to the rule. This score and the score to Beauty and the Beast are very similar, both give time for the simple moments, but have huge sweeping moments, such as the race to save John Smith from his execution and the storm sequence in the beginning.  And like other films of the era, the film utilizes Native American chants and choirs to better give audiences a feeling that they can immerse themselves in the world the animators have created.  You have to give the underdog credit in this department, the orchestrations of Pocahontas are impressive.

+5 points 

5. Beauty and the Beast (Alan Menken)


As there was with the Disney Songs countdown, there must unfortunately be a sacrificial lamb in this department as well.  And as moving and interesting as Menken keeps this score, the remaining four scores are just superior in terms of execution and sweeping moments.  The score for Beauty and the Beast is not as important as the songs, but you can tell Menken is giving it his all once again for this film.  It's lighthearted, gentle, mysterious, and ferocious when it needs to be.  But the best job the score of the movie does is allow us to enter both the joyous and tragic moments for both our leading lady and our leading man (or Beast).  Without the score, the emotional stories of these two might not have been the same, which gives me great cause for concern with the upcoming blitzkrieg of live action reboots Disney is doing.

+6 points 

4. The Hunchback of Notre Dame (Alan Menken)


The Final Four in the countdown was almost impossible for me to rank.  Every single film remaining on the list has a deep and moving score and I think I might be making a mistake putting arguably the best score Disney had in the 1990's not at #1, but I will not step away from this.  Consider these four so close that they could all rank first.  Menken does arguably his best work here with The Hunchback of Notre Dame, taking complete advantage of the Latin Choirs Disney had amassed for this film.  Hunchback's score is loaded with great moments, from the burning of Paris to the humiliation of Quasimodo, but the single greatest moment of the score is the famous "Sanctuary!" scene, where Quasimodo and his friends fend off the soldiers and Frollo while protecting Esmeralda.  Were it not for three other films, Hunchback would have ran away with this list.  Let's just say that it's gonna be pretty hard to trump this.

+7 points

3. The Little Mermaid (Alan Menken)

To say that Alan Menken was pretty much a nobody when his very first film score won the Oscar in 1990 was an understatement.  After all, Alan was at that point, Howard's cling-on luggage.  But after we were the witnesses to one of the most highly acclaimed musical scores of all time, we knew that Menken was just as special as his partner.  Menken knew to take advantage of his opportunity, giving us just the kind of musical power we knew to expect from the upcoming decade, allowing his music to range from breezy and fun, to electric and powerful.  The score is so well executed, one could easily mistake Menken for being a veteran of over 30 movies, like a John Williams or a Danny Elfman.  But no, Menken was a first timer, and a star was born, all thanks to his brilliance in melody execution and imagination.

+8 points 

2. Aladdin (Alan Menken)


While The Little Mermaid's score was enlightening and Beauty and the Beast's was breathtaking, the score for Aladdin was a score that immediately felt familiar to us all.  Why's that?  Menken took advantage of all of the elements placed around him, from the imagination of the artists to the stylized scores of movies like Raiders of the Lost Ark, in order to make Aladdin fit in well with both casual Disney fans and the action movie fans.  But it's not just recognizing elements of Raiders or Star Wars that makes this film's score so good, but it's the fact that almost every single character in this film get's their own theme and each is in perfect sync with their character.  Jasmine's is soft and sweet, Genie's is ambitious and brisk, Aladdin's is moving and sincere, and Jafar's is sinister and ruthless.  The score gives the film many great chances to have epic action scenes, and it delivers every chance it gets to give us as an audience exactly what we wanted...

+9 points

1. The Lion King (Hans Zimmer)

But there can only be one true king of the list, and in this department, it's difficult to argue against Hans Zimmer's sweeping and daring orchestrations for one of the studio's most famous films.  Zimmer put together one of the greatest groups ever assembled for the musical stylings of an animated film, utilizing not only the London chorale, but also choirs of actual Zulu Africans from South Africa.  The result was absolutely breathtaking.  Zimmer is able to transform a simple fable about a lion cub searching for his place in the Circle of Life into a sweeping symphonic masterpiece on par with the very best of not only Disney History, but in the history of the Motion Picture industry.  There are far too many standout moments in the score to list, but make sure you guys find a way to get the Complete Score for the film downloaded onto your MP3 players or iPods.  Because it is a film score you will never forget.

+10 points

Current Standings:

1. Aladdin                                                               51 pts
2. Beauty and the Beast                                         49 pts
3. The Lion King                                                    44 pts
4. The Little Mermaid                                            41 pts
5. The Hunchback of Notre Dame                        40 pts
6. Hercules                                                              23 pts
7. Pocahontas                                                         22 pts
8. Mulan                                                                  22 pts
9. Tarzan                                                                 20 pts
*10. The Rescuers Down Under                            18 pts

Next Round, we see just where all of that money in the budget went.  Here's to the Best Animation...